I mentioned Miss Pearce a few months ago, when she was bequeathed to me along with some other fine art. I have to be honest: I’m only keeping two of the pieces. Miss Pearce and the little girl. I donated the Raphael to Goodwill. And if anyone wants the Renoir, let me know. I’m not a fan of his work because everyone looks like a corpse. I can’t deal with the gray skin tones. I don’t think I need to tell the person who bequeathed me the items what I’m doing with them – after all, this person was my writing mentor, now won’t even read my blog (“Blogs are too personal, and I am not interested in reading self-serving drivel,” or some eye roll-worthy shit like that), and has permanently left the country. But Enough Of That.

Miss Pearce has her post in the hallway, glancing toward my room evermore. She seems quite mischievous. And her satin dress is silver, which I found out after I scrubbed it down with a gentle cloth. I also cleaned up the gold frame, which is immense and probably worth more than the print.

But who is Miss Pearce? Or – more accurately – who was Miss Pearce?

Some say she was the best friend of the wife of the painter Thomas Sully and was painted around 1840. He was an American painter who lived from 1783 through 1872. Other resources report the painting is American (unknown artist), done around 1840. It’s not difficult to discern the time period of the clothing, but it seems a bit difficult to discern who actually painted her. It seems to be the original is somewhere in Massachusetts, but even that isn’t that definitely known to me. If any of you know more about Miss Pearce and her origins, please leave a comment!

I suppose it will remain a mystery for now. Sometimes a little mystery ads a certain… je ne sais quoi. I like the expression on her face. She is animated and seems to be a tad bored. She has the hint of a smirk and wide eyes, a very light brown shade. Ascertaining her expression is subjective, of course, but we can all agree she’s looking to her left, and something over there has caught her eye. She’s been hanging in my hallway for several months, and frankly, there is nothing of interest anywhere near her, so…I rectified that.

I will not claim the image she now gazes upon is of the correct time period, but we all know Jamie Fraser is quite familiar with time traveling ladies. He broods in his French finery from Season Two. I think I’ve discussed my affinity for Season Two and its costumes, so I shall not bore you, Dear Reader. I will simply link to my previous blog about it here.

At least now she has something to look at. I pass her by every evening on my way to bed. I wish her a good evening and give her a sideways glance. I’ll have to see if she has an extra twinkle in her eye tonight, now that Monsieur Fraser is next to her. Just as I wish time travel were truly possible, I wish Night at the Museum (Er – Night in Amy’s Hallway?) was also a possibility. I can totally imagine Miss Pearce climbing out of her painting to get a closer look, can’t you? If I hear noises in the hallway, my first guess will be it is Susie playing. If Susie is nowhere in sight, it’s obvious Miss Pearce has hopped out of the painting. Don’t worry, I will check to make sure the painting isn’t blank.

Hmm. This scenario is playing in my mind, turning around, gathering steam and gathering ideas much like an avalanche as it rolls downhill. Maybe Miss Pearce is up for an adventure in a different time and place?

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